TASK 1: Portfolio of Research

Radio Programming Manager is one of the role. This role holds accountability for all content broadcast by the station. In most cases this is a durable position. Their responsibility is to command all programs and presenters, ensuring the smooth operating of the station. In commercial stations, the responsibilities of this role fall within the title of content coordinator or program director. They make agreements on programming, music, and reviewing demos of new ability. There are also the radio programming committee. Members of the committee work close to the radio programming manager in programming new radio seasons from the applications submitted, as well as accepting a group of programs to support more closely.

There is also the music director. The role is the main interface between radio stations and the music industry, commanding the musical direction the station accepts, as well as supporting programs access to the music they require. The recognizable sound of a station’s music can be applied to the music director and their team. The talks manager is responsible for arranging all guests, interviews and live on-air performances. The talks manager and their team organize and maintain music, entertainment, arts and external industry relationships. This busy role acts as a principal point between publicists, artists, music labels and presenters and producers. Apart from all these roles mentioned, there is also the role of the producer.

This role is responsible for the output and direction of the program. In many radio programs, a show is able to be adapted and go to air without the abetment of a producer that is individual from the presenters. A presenter often embraces the duties of the producer. The producer may also handle the control panel for broadcast - though in commercial settings particularly, this role is held by a separate individual. In a commercial setting, the producer is commonly situated in an adjoining room to the presenters connected by window. A good producer has a clear idea of the objectives of the program, and the actions compulsory to get there in development with their on-air talent. Together with the producer, there is the executive producer.

This role carries on all content areas - inclusive of radio, as well as any screen or online output - accommodating the entirety of the brand. For some brands, where unique screen or online content is minimal, the EP will often concentrate on the direction and daily operation of the radio program. The role of radio presenter summarizes many of all the roles, particularly relevant to stand-alone programs with one or two people involved in the program. In a smaller community station presenters generally act as producer as well. There is also the panel operator that control the panel. He/She manages these; volume levels, broadcast output, any recording software used, phone switchboard and SMS log.

Segment contributors usually bring a certain topic or on-air activity which are suited to the short-form presentation of this topic - occasionally for no more than 5-10 minutes. As such, their topic need to be particularly original. This segment may also take the form of a pre-record. The audio producer is also known as production director. This role generates audio content to be played on-air (show IDs, promos, etc.). Most, if not all pre-recorded material played on-air has been produced by the audio director. Within some commercial stations, the audio director is responsible for the station’s online audio content i.e. podcasts, edited interviews, skits and segments from a show. There is also the role of the online producer. The role is in charge for the online presence of the program. This includes maintaining the program’s website, and potentially creating distinctive content for it - photos and video footage, for instance. Last and not least, there is the role of the creative coordinator. The creative coordinator manage all advertisements featured on the station, managing the copywriting team, production team, as well as coordinating with the sales team.

There are many steps in order to write a good news story. The story must be very newsworthy. The main goal is to give a timely account of a recent, interesting, and significant event or development. One should think about the main goals and objectives in writing the story. These are also questions that one should question in his mind. What will the readers want and need to know about the subject? How can you best tell the story? One must also find out who can provide the most accurate information about the subject and how to contact that person . Finding out what other sources could be used are essential in order to obtain relevant information.

Every individual should do the homework. Doing research is also needed so that one have a basic understanding of the situation before interviewing anyone about it. Checking clips of stories already written on the subject. A list of questions should be prepared to ask about the story. Arranging to get the needed information. This may mean scheduling an interview or locating the appropriate people to interview. One should interview the source and take notes in between. Asked the prepared questions, plus other questions that come up in the course of the conversation. One should also ask the source to propose other sources. Ask if it is possible to call the source back for further questions later. Interview second and third sources, ask follow-up questions, and do further research until having an understanding of the story.

Asking more questions are also important. These are a few of them; “What’s the story?” and “What’s the point?”. Being sure that one have a clear focus in the mind before starting writing. Roughing out a lead in the head can be another step. Making a written outline or plan of the story should also be another stage which is necessary. One should write the first draft following the plan, but changing it as necessary. Reading through the first draft and looking for content problems, holes, or weak spots, and revise it as necessary are also essential. Extra words, sentences, and paragraphs should be removed immediately. Every word count. Reading through the second draft aloud and listening for problems in logic or syntax are necessary. One should always copyedit the story, checking carefully for spelling, punctuation, grammar, and style problems. The last stage is to deliver the finished story to the editor before deadline.

Reference:

How to Write a News Story | Edusson BlogWebsite title:Edusson.comURL:https://edusson.com/blog/how-to-write-a-news-story

Careers in Radio Production Website Title:Work Chron.comURL: Careers in Radio ProductionWebsite title:Work - Chron.com URL https://work.chron.com/careers-radio-production-